People are always on a journey in the films of Walter Salles. His 1998 breakout film Central Station saw an abandoned nine-year-old go looking for the father he’s never known, while 2004’s The Motorcycle Diaries had a carefree young Che Guevara becoming radicalized while searching for the soul of South America. More literally, there’s On
Walter Salles On Brazil’s Oscar Submission ‘I’m Still Here’: “This Is A Film About Life”
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