Movie review
Sinners
Execution time: 137 minutes. Qualified R (strong bloody violence, sexual content and language). In theaters.
The South and the vampires go together as wooden stakes and hearts of the living dead.
Anne Rice put the feed fields of class with class in New Orleans, Louisiana and “True Blood” junk vampires became smoking in the nearby bayou.
The warm spice spices reliably these cold types.
Now, the director Ryan Coogler, or the fame of “Black Panther” and “Creed”, moves his sensual drachules a state that passes with Mississippi in the transfer film “Sinners”, a gender cunning-avance that Blue, religious fervor and the vervor fervor and the vervor fervor and the vervor Vervor for force and fervor fervor and Vervor force and the vervor and the vervor and the vervor force fervor and the fervor vervor and the fervor vervor and the fervor vervor and the fervor vervor and the fervor vervor and the fervor vervor and the fervor vervor and the vonigious.
The air in the south is thicker than the blood, and the heat and the pulse of passion, even through the growing number of characters that have no pulse.
The “sinners” begin with great measure, with the young Sammie (an innocent Miles Caton by making hidden mischief) breaking into a church covered with earth and body liquids.
By rewinding 24 hours upon the arrival of mysterious twin siblings Smoke and Stack, both convincingly and charismatic by Michael B. Jordan, who return to Chicago’s house to open a Juke Board that same night.
Unusual for this son of the film, for the spectators of a long section they forget that they are watching a horror movie.
In the soft scenes of small villages, an unfortunate partner is used in the couple, the couple leads around the collection supplies, hiring disorders and getting a blues band, including Sammie, the son of a preacher whose father and plays guitars.
The optimistic mood, occasionally broken by the hard political climate of 1932, is a type of “recovering the band.”
When everyone finally gather to drink and celebrate in an adapted barn, old flames (such as the María de Hailee Steinfeld and Annie de Wunmi Mosaku), new sparks (Jayme Lawson’s Pearline) and working friends: Wealy.
Coogler, who also wrote the script, presents music (blues, rock and, especially here, Celta, as a rititist conjuration force. Bbatboys are attracted to honey bees.
Duration A remarkable bold sequence in the shed, the deadlines are adjusted and present blur as the characters twist and stop and an image fire rises around them. And evil stalks.
The effect reminded me of the song of the Charlie Daniels band “The Devil We Down To Georgia”, and could be super cheesy. But Coogler addresses him with such confidence that he becomes intoxicating.
I was very Jordan doing double service after Robert De Niro tried a similar trick in another Warner Bros. movie, the mafia movie “The Alto Knights”, just a few months ago.
However, the actor “creed” does not exaggerate the differences of the twins with the comic effect. They are mostly separated by one with a blue Newsboy cap and the other that puts on a red fedora, and slightly contrasting behaviors. Smoke is more a lover, while Stack is a fighter.
As the “sinners” intensify, you forget that you are seeing only an actor. Always a feat.
And, Althegh Coogler, returns the film with a duration of fear in its gary-gory end, is never scary and remains quite fun and playful. There are some disturbing images, but it will not lose sleep about them. I know, for many of you, that is a detour in this child from the movie.
But when combining the old gender tropes with a powerful message, the eternal recipe for a great horror movie, the always entertaining director shows again that he has something blunt to say, either with boxers, superheroes or vampires of the blood.
