By Robert Scucci | Published
If you ask why speculative apocalyptic science fiction thrillers are not found through a documentary framework focused on real -life events and figures, it is because it leads to disasters as 2073; A film with a clear message that is delivered is the audience in the most disjointed way possible. However ambitious this movie is, it is incredible to watch and highlights a unique problem: it is not allegorical, but rather also Real to handle. I hope it was as original as the tomato reviewer Glenn Dunks, who simply referred to this film as “Doomscroling: The Movie”, 2073 It is the miniature promising and the synopsis that will see when you seek to transmit the title in Max.
I am not angry, I am disappointed, because just although 2073 It is classified as a documentary and a thriller, as a 10 percent suspense, if that is, and the rest is just the son of things he will see while sliding his panic instagram diet while asking how close the imordity is for the dystopian approach.
The future is a gloomy place in 2073
2073 It begins with the promise, since it follows the point of view of a lonely woman, simply knows as “ghost” (Samantha Morton). Living under an abandoned shopping center with other condemned humans, Ghost’s stories explain how Fargone Society has become, and aims to tell a story how humanity reached such a gloomy destiny. With constant fear of being investigated and silenced (murdered) by the Government, the ghost waste container is submerged for food and supplies when it is safe to do so, and withdraws to the low ground to its ruined compound that occupies the wear.
And let me tell you that these post-apocalyptic scenes are absolutely impressive. I wanted to learn more how society works in 2073, and I would have loved to see more of this. The hierarchy of power, the desire to re -educate the masses so that they can overthrow their oppressors, and the constant state of surveillance that society is living is captivating, to say the least, and this fictional but unfortunately establishing is a strong light society in the state that has not yet discovered how to collect the pieces and begin the next chapter in our collective human history.
Well, that darkened
The better part of 2073 They are the sequences established in the dystopic future that will fill any sensible spectator with an absolute sense of fear, and then, suddenly, the worst possible happens: we get a documentary that reminds the series of Zeitgeist movies of fear that made a fear that did a great job pointing out the dangers of a total government, but that we never even make the audiences to present a viable, or even the problems, or even the problems, or even the problems, or even the problems, or even the problems. Even problems, problems. The efforts arranged to reach the correct side of the story and prevent such an gloomy future from happening.
In other words, 2073 He is trying to be two different films: a dystopian science fiction thriller set in a fictional future not so distant, and a documentary uses real file images used to explain how this dystopia was created.
But there lies the problem.
While looking at the documentary sequences that make up most of 2073s Execution time, I felt like Alex de An orange clockThat he was forced to sit in front of televisions with open eyes to be able to take all the images at an alarming pace. This child of the delivery comics, the mystique of the most interesting story, the fiction set in 2073, which could have the leg used as a vehicle to propose solutions for a society that is driven by the legs underground by the powers they are.
Two different failed films in a
While I appreciate what 2073 I was trying to achieve, he left a bad taste in my mouth because it comes as if he were preaching to a choir that is very aware of the current state of things, but feels helpless to act significantly to obtain.
We already know that wealth is concentrated in such a way that it keeps the working class under the thumb of its ruler. We already know that politicians and technological brothers are sweeping humanity under the back, so a few people selected in power can explore space while the rest of us suffer. We already know that data mining billionaires and chronic warts online online are a terrible combination for humanity because it suggests how artificial intelligence will soon control the masses as it finds a way of being smarter than humans with the objective of manipulating.
That is very good, but what do we do about it? The interesting story, the story I wanted to see – 2073 It is how future humans face social collapse and look at the brightest future. What we get in its place is a rapid news feed of today that is transmitted in our ocular balloons to say “there is nothing you can do about it” and “we are already convicted.”
2073 transmission in Max
If you are looking for a summary of the ultra condensate current as it was counted through several news sources that leads to a high concept representation of the future that can become a reality, then 2073 I could arouse your interest. But if he hopes to see how humanity aims to get up from the ashes through his speculative science fiction narrative, he will be severely disappointed. Juxtaposing the current world events of real life with what it is through all measures of a fiction work, 2073 The brand is lost on both fronts, it is real, it is afraid, and sacrifices a disturbing version of how we are collectively moving along a miserable path, but never uses the fiction that establishes from this abundant fiction of fiction.
2073 Get one A for effort and concept, and an F for execution. If you want to see how messy the world is, just turn on your news applications, or climb to Tick or Instagram, to get a blocking course, it is basically the same. If you want to get it quickly and move on with your life, you can transmit 2073 In Max.
